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Read a Sample Chapter
Crafting Authentic Voice
Tom Romano, Miami University, Ohio

ISBN 978-0-325-00597-3 / 0-325-00597-4 / 2004 / 240pp / Paperback
Imprint: Heinemann
Availability: In Stock

Grade Level: 7-12

List Price: $25.00
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Description

A good writer has a distinctive voice. A great writer has an inimitable one. Regardless of subject or place in time or space, good and great writers share one trait—they are true to their personalities, spirits, and characters. How do they do this? How can WE do this as teachers and writers? And how can we show our students what crafting an authentic voice entails?

One of our premier writers on the writing process and writing workshop, Tom Romano, tells us. In a compelling and manageable text, he makes the case for giving special time and attention to voice as a means to get students involved and improve their writing, particularly expository writing. Using his own strong voice and trademark narrative style, he teaches by example—his own and his students'—how writers can be true to themselves and vivid on the page to pull readers in and keep them reading.

More than that, Romano is an irresistible motivator to write well. His infectious enthusiasm, intellect, and heart shine through every chapter—from his tempting "antipasto" of stories and poems beginning each section of his book to the delicious courses that follow. He divides his text into small readable parts that consider the "delight and dilemma of voice," the qualities of voice, and the relationship of voice and identity. Many examples indicate ways to "trust the gush." And there are practical ideas here, too—strategies and techniques for immediate use in your teaching and writing.

Read and take heed of Romano. Craft an authentic voice in your own writing. Teach students how they can do the same. Then revel in the candor and insight, the absorbing and entertaining stories, the clear thinking--the good, maybe even great, writing.

Table of Contents
    I. The Delight and Dilemma of Voice Antipasto: Stopping By Woods After a Bronchoscopy
    1. Reasons to Read
    2. Voice Lessons
    3. Email Admissions
    4. Two Bands
    II. Qualities of Voice Antipasto: "Poems," Gary Gildner
    5. Qualities of Voice
    6. Information Please
    7. The Appeal of Narrative
    8. Perception and Surprise
    9. Surprise for Whom?
    10. Humor, Lightness, Play
    III. Trust the Gush Antipasto: Olivia Leads the Way
    11. The Place of Passion
    12. "Outcast," Lorie Barnhart
    13. How Voice Is Lost
    14. The Five-Paragraph You-Know-What
    15. Of Buts and Burrs and Bad Advice
    16. Grammatically High-Strung
    17. Whatever It Takes: Breaking the Rules in Style
    18. Mischief, Rebellion, Attitude
    19. Many Voices
    20. Imitation
    21. "It's Alive! It's Alive! It's Alive!"
    22. Wear a Mask, Unleash a Voice
    23. The Generative Power of Parallel Structure
    24. "Who Said That?" David Schuster
    IV. Crafting Authentic Voice Antipasto: Squirming, Fretting, and Fraud
    25. Enter Craft
    26. Making It Rougher
    27. Mind Pictures
    28. Hit Dem Senses
    29. What the Ear Knows
    30. Linguistic Inebriation
    31. Living Leaping Words
    32. Who's Got the Action?
    33. Weeding the Garden
    34. Placement and Payoff
    35. Great Lengths
    36. Get Your Pipe and Blow Doughnuts: The Speed of Metaphor
    37. Ingmar Bergman, Janis Joplin, and Howard Cosell: Allusions to Extend Meaning
    38. Behold This Visage: How Speech Helps Writing
    39. In the Beginning
    40. And in the End
    41. Working Together
    V. Voice and Identity Antipasto: Huck, Holden, and Talya
    42. The Moves in One Piece
    43. A Small Work I Have to Do
    44. Utmost Essence
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